Paul Gauguin feels smothered by the atmosphere prevailing in Paris in the year 1891. Around him, everything is so artificial and conventional: he needs authenticity to renew his art. Failing to convince his wife Mette and his five children to follow him to Paradise Lost, he sets out for Tahiti alone. Once there, he chooses to settle down in Mataiera, a village far away from Papeete, installing himself in a native-made hut. He soon starts working passionately, painting and carving in a style close to the primitive art specific to the island. During his two-year stay the artist will experience poverty, cardiac problems and other displeasures but also happiness in the arms of Tehura, a beautiful young native girl.

A woman wakes in a cryogenic chamber with no recollection of how she got there, and must find a way out before running out of air.

Sam, a freelance journalist, decides to investigate the growing phenomenon of disaffected youth joining extremist groups. He infiltrates a group of four young people, who have been tasked with the creation of a jihadist cell, and whose mission is to destabilise the city centre of Paris.

The most turbulent five years in the life of a genius woman: Between 1905, where Marie Curie comes with Pierre Curie to Stockholm to be awarded the Nobel Prize for the discovery of the radioactivity, and 1911, where she receives her second Nobel Prize, after challenging France's male-dominated academic establishment both as a scientist and a woman.

An aging photographer's obsession with an early form of photography draws his assistant and daughter into a work of mystery.

With his wife in labor, father-to-be Thomas (Malik Zidi) speeds to the hospital, and in the process, accidentally kills a young man on the road. That death sets into motion events that will change everyone’s lives forever, including the young man’s mother Marie-France (Nathalie Baye), who cannot recover from the trauma. Nine years later, Marie-France takes a job as Thomas’s secretary without him knowing about her connection to his past. As Marie-France’s maternal rage reaches tragic proportions, she insinuates herself into his life, his work and his family in this classic thriller à la Hitchcock.